Extended conceptual explainer

Hans Joas
The Creativity of Action

A reconstruction of Joas’s action theory through its principal building blocks: Mead’s social act and reflexive self, Merleau-Ponty’s embodied intentionality, Piaget’s developmental construction and decentration, and Dewey’s problematic situation and reconstruction.

1 · The thesis

Action does not merely realize intentions. Action helps constitute intentions.

Joas’s central move is to reject the picture in which a fully formed actor first chooses an end, then selects means, then commands the body to execute the plan. Human action is often more recursive: goals become definite only as the actor engages a situation.

Conventional: Actor → Goal → Means → Execution → Outcome

Joas: Situated embodied activity ↔ emergent ends ↔ revised activity
Key correction. “Creative” does not mean artistic or exceptional. It names the ordinary possibility that conduct acquires determinations not fully specified at its outset.
2 · The problem Joas sees

Two dominant models both treat action as implementation.

Rational action

Preferences + beliefs → choice

The actor supposedly knows what is wanted and computes a suitable means.

Useful locally; misleading when promoted into a general anthropology.

Normative action

Norm + role + situation → appropriate conduct

The actor follows a socially available orientation rather than maximizing utility.

Joas’s objection is parallel: the governing orientation still appears too fully constituted before action begins.

Shared hidden premise: something decisive is already fixed before action begins.
3 · Building blocks

Four inheritances, one Joasian construction.

Joas does not merely add these thinkers together. Each repairs a different defect in classical action theory. The final synthesis is his.

Mead

Social act

The primitive unit is not an isolated mind but coordinated conduct among organisms.

Use in Joas: sociality enters the constitution of agency itself.

Mead

Role-taking

I can become an object to myself by taking the attitude of the other toward me.

Use in Joas: reflexivity is socially generated, not presocial.

Mead

I / Me

The Me carries organized expectations; the I is the response not fully knowable beforehand.

Use in Joas: ordinary action contains structured indeterminacy.

Mead

Practical intersubjectivity

Joas’s reconstruction of Mead: practical coordination precedes fully constituted reflective subjects.

Merleau-Ponty

Lived body

The body is not merely an object possessed by consciousness. It is the actor’s practical standpoint on the world.

Merleau-Ponty

Prereflective intentionality

Directedness need not begin as an explicit proposition or fully formed goal.

Merleau-Ponty / Schilder

Body schema

Acquired bodily capacities organize a field of possible action before deliberation.

Schilder is important to the immediate genealogy of the body-schema discussion; Merleau-Ponty supplies the anti-dualist phenomenology.

Piaget

Action schemes

Cognitive structures develop through organized activity rather than merely preceding it.

Piaget

Assimilation / accommodation

Existing schemes organize experience; resistant situations force the scheme itself to change.

Piaget

Decentration

Objectivity increases through coordination of perspectives rather than escape from perspective as such.

Dewey

Habit

Most conduct proceeds through acquired organizations of action rather than continuous calculation.

Dewey

Problematic situation

Reflection becomes salient when the ongoing organization of action no longer suffices.

Dewey

Reconstruction

Inquiry does not merely discover a pre-given answer; it reorganizes the situation and the actor’s ends-in-view.

Joas

Endogenesis of goals

Joas’s distinctive synthesis: intentions, ends, and self-understandings can become specified and revised within the course of situated, embodied, socially mediated action.

(Mead: sociality) + (Merleau-Ponty: embodiment) + (Piaget: developmental construction) + (Dewey: reconstruction)
Creative action
4 · The synthesis

Joas replaces three hidden assumptions.

Classical assumptionJoas’s replacementPrincipal conceptual ancestry
Ends precede conductSituated intentionalityDewey + pragmatism; strengthened by Merleau-Ponty
Mind commands bodyCorporeal agencyMerleau-Ponty + Schilder
Individuals precede social relationsPrimary socialityMead
Mature cognition is simply presentDevelopmental constructionPiaget
Autonomous mind
+ fixed end
+ instrumental body
Situatedness
+ corporeality
+ sociality
+ development
5 · The action loop

Creativity appears when an existing organization does not fully determine what comes next.

1Habits & bodily repertoire
2Situated engagement
3Practical expectation
4Resistance / novelty
5Reflection / experiment
6New coordination
7Revised habit, goal, self
Habit + resistance → creative reconstruction

The novelty is neither arbitrary nor fully predetermined. It is conditioned by acquired capacities, material constraints, social relations, and the emerging structure of the situation.

6 · Worked cases

Creative action is ordinary before it is heroic.

Conversation

You enter intending to state disagreement. The other person’s response changes what you take the disagreement to be. The goal shifts from rebuttal to clarification or synthesis.

Mead: role-taking. Merleau-Ponty: tone and gesture. Piaget: decentration. Joas: goal revision in action.

Writing

You begin to explain X. During composition, a distinction appears that reveals Y as the actual problem. The writing process changes the object of the writing.

Joasian point: means can specify or transform ends.

Skilled performance

A musician improvises because habits are deeply sedimented, not absent. Expertise creates a larger structured repertoire for responsive departure.

Corporeality: creativity presupposes bodily habit.

Mini switchboard: remove a building block

Full model: action is embodied, socially constituted, developmentally formed, and open to reconstruction.
7 · Freedom

Agency is not sovereignty.

Joas’s actor is neither determined by structure nor mysteriously exempt from causality. Freedom is better understood as a capacity for reconstructing conduct when established organizations fail.

Freedom ≈ repertoire + reflexivity + responsiveness + capacity to revise ends
The more useful question is not “How free is the actor from the situation?” but “What capacities does the situation make available for creative reconstruction?”
8 · From action to democracy

Collective action can also discover its ends.

Joas scales the theory upward. Institutions are not merely constraints imposed on actors, nor are they simply optimal solutions designed in advance. They can be sedimented results of collective attempts to reconstruct problematic situations.

Institutiont → Actiont → Reconstruction → Institutiont+1

This gives democracy an experimental dimension. A polity need not merely aggregate fixed preferences. Under suitable conditions, public interaction can alter what participants understand their interests and ends to be.

9 · Where the precursors converge

One anti-Cartesian convergence, four distinct problems.

ThinkerPrimary problemContribution to Joas
MeadHow do mind, meaning, self, and society emerge from social action?Social constitution, role-taking, reflexivity, structured novelty
Merleau-PontyHow can perception and intentionality be understood without Cartesian dualism?Lived body, prereflective directedness, bodily availability
PiagetHow do cognitive structures and objectivity develop?Construction through action, accommodation, decentration
DeweyHow does intelligent action reconstruct indeterminate situations?Habit, problem, inquiry, ends-in-view, reconstruction
JoasWhat model of human action follows if these anti-Cartesian lessons are taken seriously?Creative action: goals and selves can emerge and change within conduct
Deepest claim: the constitution of intentions occurs within ongoing, embodied, socially mediated relations to situations. Creativity is not added between intention and execution; the formation and revision of intention within action is itself creative.
10 · Selected sources

Orientation

This page is an interpretive synthesis rather than a substitute for Joas’s texts. The main structural claims follow the published organization and descriptions of The Creativity of Action and Joas’s reconstruction of Mead.